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http://no-reservations-crew-blog.travelchannel.com/tag/anthony.rssBy Jared Andrukanis, Segment Producer
I know it is going to be a unique shooting day for No Reservations the minute I jump out of the drab green helicopter the Colombian Government provided us with for this scene. Since I am first out, I bolt like my a** is on fire towards the shoulder-high plants at the edge of the clearing we chose as a landing zone. My feet sink into the soft soil as I run, making the few yards I need to travel to reach the safety of the crops seem to take forever.
Continue Reading Shooting out of Sequence: Colombia.
To paraphrase a well-known chef, author and TV personality, making television is a lot like making sausage. Some seemingly strange and terrible things happen in the process, but the end result is usually very satisfying. So to follow this analogy through, if making TV is like making sausage then, I suppose editing would be like the part where the various bits are stuffed into the intestinal casing. Thankfully, this is all just metaphorical; I've yet to actually use an intestinal casing in any project. Anyway, the point is-- editing a very satisfying job (this show especially so). The amount of creative input you're afforded, the opportunity to shape something from a rough outline & raw footage to a finished product is great, and I'm lucky to have this for a career. But at the end of the day, who the hell knows what an editor really does? I've been working in this field for a few years now, and it's still not a simple question for me to answer ...
Continue Reading The Editor's Take.
By Producer Max Landes
We set out to explore Hawaii's central myths - Tiki bars, luaus, Spam, the Vulcan Goddess, and, of course, big wave riding. And when I say "big wave" I mean the 30 foot vertical wall that boys from Palm Beach to Palm Springs gaze up at from their bunk beds before going to sleep at night. After all, this is the Bourdain Show, the man's eaten a wart hog's ass - it has to be spectacular.
Continue Reading Riding the Producer or Some Kind of Mixed Metaphor.
By Nari Kye
Sleep, the night before leaving for a shoot, is a lost battle. Every possible disaster scenario goes around and around in my head over and over again. Since this was my first official Associate Producer gig, I needed everything to go perfectly. I had to prove to Tony, Chris and rest of the crew I was a valuable asset. Releases, scenes, chefs, costs then the next thing I know, the alarm goes off and the day has come: shoot day 1.
Continue Reading Vancouver.
By Paul Cabana, Producer
DAY ONE
First time producer on Bourdain. looking forward to a cakewalk - what could go wrong? (1) Tony's car to the airport an hour late. (2) he's pissed. that surly intimidating TV persona? Not so much for TV. (3) Economy Plus should be renamed Business Minus. We're sitting four across like we're strapped on a roller coaster. The symbolism doesn't escape me. (4) I switch seats with Todd who claims he has a phobia of middle seats. Note to self: watch out for The Todd. (5) We arrive in the UK and still haven't confirmed our key scene, Marco Pierre White. (6) We're testing new cameras on this shoot and find some big glitches: the big one is the focus ring. It's way off. (9) Todd and Zach really annoyed. Not exactly a smooth start.
Continue Reading 99 PROBLEMS BUT A BRIT AIN'T ONE.